{"title":"Albrecht Durer","description":"","products":[{"product_id":"p40101","title":"A lobster","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  A Woman Ironing\u003c\/li\u003e\n\u003cli\u003eCreator  Edgar Degas\u003c\/li\u003e\n\u003cli\u003eDate Created  1873\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  21 3\/8 x 15 1\/2 in. (54.3 x 39.4 cm)\u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003cli\u003eMedium  Oil on canvas\u003c\/li\u003e\n\u003cli\u003eRepository  Metropolitan Museum of Art, New York, NY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759203774642,"sku":"P40101","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40101.jpg?v=1746588017"},{"product_id":"p40102","title":"A Pastoral Landscape with Shepherds Playing a Viola and Panpipes, 1496 1497","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Abduction of Proserpine on a Unicorn\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1471\/1528\u003c\/li\u003e\n\u003cli\u003eDate  1516\/1516\u003c\/li\u003e\n\u003cli\u003eType  Drawing\u003c\/li\u003e\n\u003cli\u003eMedium  Etching on iron\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759203872946,"sku":"P40102","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40102.jpg?v=1746588016"},{"product_id":"p40103","title":"A Wise Virgin","description":"\u003cp\u003eAlbrecht D¨¹rer executed this richly detailed drawing at the age of 22, while traveling through central Europe's Upper Rhine region to complete his artistic training. One one side of the sheet, he drew a female figure holding a burning oil lamp; she represents one of the Wise Virgins waiting for the bridegroom in the biblical parable of the Wise and Foolish Virgins. Turning the paper over and rotating it, the artist sketched his own left leg from two slightly different viewpoints, adding the date 1493. The rapidly sketched lines in this drawing are direct and informal. By contrast, the carefully depicted folds of the Virgin's tunic, as well as her abundant curls, show D¨¹rer taking a more elaborate approach, inspired by the precisely defined lines of contemporary engravings and woodcuts, which influenced his early drawing style.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  A Wise Virgin and Studies\n\nA Wise Virgin (recto)\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1471-1528\u003c\/li\u003e\n\u003cli\u003eDate Created  1493\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  29.1 x 20.2 cm\u003c\/li\u003e\n\u003cli\u003eType  Drawing\u003c\/li\u003e\n\u003cli\u003eRights  Photo ? The Courtauld\u003c\/li\u003e\n\u003cli\u003eMedium  Pen and brown ink on laid paper\u003c\/li\u003e\n\u003cli\u003eAcquisition Credit  Princes Gate bequest, 1978\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759204004018,"sku":"P40103","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40103.jpg?v=1746588016"},{"product_id":"p40104","title":"Abduction of Proserpine on a Unicorn","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Abduction of Proserpine on a Unicorn\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1471\/1528\u003c\/li\u003e\n\u003cli\u003eDate  1516\/1516\u003c\/li\u003e\n\u003cli\u003eType  Drawing\u003c\/li\u003e\n\u003cli\u003eMedium  Etching on iron\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759204790450,"sku":"P40104","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40104.jpg?v=1746588015"},{"product_id":"p40105","title":"Adoration of the Trinity (Landauer Altar)","description":"\u003cp\u003eIn 1501 Matthias Landauer, who had a flourishing business selling the products of his smelter, founded the Zw?lfbr¨¹derhaus (¡°Twelve Brothers House¡±) in Nuremberg. This was an institution that provided a home for twelve needy artisans in their old age. In 1508 the founder commissioned an altarpiece for the newly erected chapel. D¨¹rer had returned a year earlier to Nuremberg from his second trip to Venice, which had been a revelation to him. He chose the more modern form of the altarpiece rather than the late Gothic winged altar. The chapel was dedicated to all the saints, and this resulted in his choice of subject  the Trinity ¨C the Dove of the Holy Spirit, God the Father and Christ ¨Cis the focus of attention. Supported by a band of angels presenting instruments of the Passion to Christ, the group hovers above the crowd arranged in a semicircle around them. Mary leads the group of female saints, among them Barbara(chalice), Catherine (wheel) and Agnes (lamb)  behind John the Baptist on the right is a host of prophets and kings of the Old Testament, including David (harp) and Moses (tablets of the Law). The presence at the bottom of a group of members of the sacred and secular Christian community ¨C from popes to a simple monk, from an emperor to representatives of the peasantry (threshingflail) ¨C cannot be explained with All Saints iconography. Their lives have already been weighed in the Last Judgment depicted on the frame, and thus they are members of the ¡°kingdom of God¡±. This concept is based on the writings of St. Augustine (354¨C430 AD). Landauer himself, invited to join by a cardinal, is found in the group at the left edge of the painting. As he did in other cases as weIl, D¨¹rer expanded his signature by adding a full-length self-portrait in the landscape at the bottom.                \u003cbr\u003e? C?cilia Bischoff, Masterpieces of the Picture Gallery. A Brief Guide to the Kunsthistorisches Museum, Vienna 2010\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Adoration of the Trinity (Landauer Altar)\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1471\/1528\u003c\/li\u003e\n\u003cli\u003eCreator Nationality  german\u003c\/li\u003e\n\u003cli\u003eCreator Gender  male\u003c\/li\u003e\n\u003cli\u003eCreator Death Place  Nuremberg\u003c\/li\u003e\n\u003cli\u003eCreator Birth Place  Nuremberg\u003c\/li\u003e\n\u003cli\u003eDate Created  1511\u003c\/li\u003e\n\u003cli\u003eLocation Created  Nuremberg, Germany\u003c\/li\u003e\n\u003cli\u003eStyle  German Renaissance\u003c\/li\u003e\n\u003cli\u003eProvenance  acquired in Nuremberg by Emperor Rudolf II in 1585, without the original frame\u003c\/li\u003e\n\u003cli\u003ePlace Part Of  Germany\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  w1234 x h1350 cm (without frame)\u003c\/li\u003e\n\u003cli\u003eInventory Number  GG 838\u003c\/li\u003e\n\u003cli\u003eFrame  The frame is a 19th-century copy of the original (Nuremberg, Germanisches Nationalmuseum)\u003c\/li\u003e\n\u003cli\u003eArtist Biography  Though D¨¹rer lamented Germany's medieval conception of artists, Italian Renaissance ideas first came north in a powerful way through him. D¨¹rer initially trained in Nuremberg as a goldsmith, painter, and woodcutter. After visiting Venice in 1495, he intensely studied mathematics, geometry, Latin, and humanist literature. He expressed himself primarily through prints; painting was less profitable, and Lutheran church reformers disdained most religious artworks. D¨¹rer's paintings are few and more traditional than his engravings and woodcuts. In 1498 he published the first book entirely produced by an artist, The Apocalypse, which included fourteen woodcuts illustrating the Book of Revelation. Its vivid imagery, masterly draftsmanship, and complex iconography established his reputation. After visiting Italy again from 1505 to 1507, D¨¹rer's art assimilated Renaissance principles. Despite the impressive scope of his workshop, D¨¹rer left no direct successors, though his easily transportable prints were influential throughout Europe.     ?J. Paul Getty Trust\u003c\/li\u003e\n\u003cli\u003eType  paintings\u003c\/li\u003e\n\u003cli\u003eMedium  Oil on Wood\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759205085362,"sku":"P40105","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40105.jpg?v=1746588014"},{"product_id":"p40106","title":"Agony in the Garden","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  An Oriental Ruler Seated on His Throne\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  c. 1495\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  overall  30.6 x 19.7 cm (12 1\/16 x 7 3\/4 in.)\u003c\/li\u003e\n\u003cli\u003eProvenance  W.Y. Ottley; Sir Thomas Lawrence (Lugt 2445); S.G. Liesching, Stuttgart; Count A.N. Thibeaudeau; purchase privately (via R. Light); purchase by NGA, 1972.\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  pen and black ink on laid paper\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759205478578,"sku":"P40106","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40106.jpg?v=1746588014"},{"product_id":"p40107","title":"Agony in the Garden","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Agony in the Garden\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  n.d.\u003c\/li\u003e\n\u003cli\u003eType  Print\u003c\/li\u003e\n\u003cli\u003eMedium  Woodcut\u003c\/li\u003e\n\u003cli\u003eRepository  Metropolitan Museum of Art, New York, NY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759205642418,"sku":"P40107","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40107.jpg?v=1746588011"},{"product_id":"p40108","title":"Albrecht D¨¹rer, St Jerome seated near a pollard willow, a drypoint","description":"\u003cp\u003eOf the hundreds of prints Albrecht D¨¹rer\u003cbr\u003emade, only three were drypoints, in which a\u003cbr\u003eneedle scratched directly into a copperplate creates velvety, fuzzy lines. In this image\u003cbr\u003eof Saint Jerome, D¨¹rer exploited these\u003cbr\u003equalities of drypoint to manifest the natural,\u003cbr\u003espiritual realm of the saint¡¯s hermitage in the\u003cbr\u003ewilderness. Jerome pauses from his studies\u003cbr\u003eto pray in a setting that buzzes with life. The\u003cbr\u003esaint¡¯s isolation and communion with Christ\u003cbr\u003eresult in spiritual rebirth, symbolized by\u003cbr\u003ethe bumpy pollard (trimmed) willow, cut to\u003cbr\u003egenerate new growth.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  St. Jerome Seated near a Pollard Willow\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer (German, 1471¨C1528)\u003c\/li\u003e\n\u003cli\u003eDate Created  1512\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  Image  20.7 x 18.1 cm (8 1\/8 x 7 1\/8 in.); Sheet  20.7 x 18.1 cm (8 1\/8 x 7 1\/8 in.)\u003c\/li\u003e\n\u003cli\u003eProvenance  Ralph King [1855¨C1926], Cleveland, OH, given to The Cleveland Museum of Art, Cleveland, OH,  The Cleveland Museum of Art, Cleveland, OH\u003c\/li\u003e\n\u003cli\u003eType  Print\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  drypoint\u003c\/li\u003e\n\u003cli\u003eState of work  II\/III; Michelozzi III.c\u003c\/li\u003e\n\u003cli\u003eFun Fact  This is one of only three prints Albrecht D¨¹rer made using drypoint, in which a needle is scratched directly into the copperplate.\u003c\/li\u003e\n\u003cli\u003eDepartment  Prints\u003c\/li\u003e\n\u003cli\u003eCulture  Germany, 16th century\u003c\/li\u003e\n\u003cli\u003eCredit Line  Gift of Ralph King\u003c\/li\u003e\n\u003cli\u003eCollection  PR - Drypoint\u003c\/li\u003e\n\u003cli\u003eAccession Number  1925.72\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759205773490,"sku":"P40108","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40108.jpg?v=1746588010"},{"product_id":"p40109","title":"An Oriental Ruler Seated on His Throne","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Apollo en Diana\u003c\/li\u003e\n\u003cli\u003eCreator  D¨¹rer, Albrecht\u003c\/li\u003e\n\u003cli\u003eDate Created  1501?-?1506\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  papier\u003c\/li\u003e\n\u003cli\u003eRights  http \/\/creativecommons.org\/publicdomain\/mark\/1.0\/\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759205871794,"sku":"P40109","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40109.jpg?v=1746588009"},{"product_id":"p40110","title":"Angels Restraining the Four Winds","description":"\u003cp\u003eIn a densely patterned, dizzily colorful interior, Degas¡¯s nude turns her back to us and bends to dry her side. Her pose, at once graceful and tortuous, lends this scene a frisson, encouraging us to believe we have surprised this woman in a private moment. Unseen windows bathe her back in light, conjured with electric streaks and scribbles of color, while her face, lost in shadow, seems to gaze into the opalescent depths of the tub beside her. Like the other items of furniture depicted, this tub at once corroborates and undermines the fiction of a moment surprised, intersecting abruptly with a folding screen and disappearing from view. Along with the expanse of tufted carpet, the overstuffed canap¨¦, and the cascade of drapery at left, these objects form a dreamy indoor landscape¡ªless the ordinary terrain of a domestic interior than an intimate corner of Degas¡¯s studio.  \u003cbr\u003e\u003cbr\u003eDated to 1882-1885 by Paul-Andr¨¦ Lemoisne in volumne II of his 1946-1948 catalogue raisonn¨¦ of Degas¡¯s work, this pastel was likely made at a somewhat later moment, 1886 or after, when, having achieved financial independence, Degas had all but ceased to exhibit, retreating into the private world of his studio to produce increasingly bold, experimental work  wax and wire sculptures, oil paintings covered with fingerprints, pastels scratched out in vibrating, anti-naturalistic colors. The influence of a much younger artist, Paul Gauguin, was key to Degas¡¯s evolution in this period  we may see his mark in the dazzling, dissonant hues of this pastel, which already predicts the thickets of pattern and color found in the work of Gauguin¡¯s followers, the Nabis Bonnard and Vuillard, at the turn of the century.\u003cbr\u003e\u003cbr\u003eLike so many ambitious nudes of Degas¡¯s later career, this work was never exhibited during his lifetime. He made numerous drawings and prints depicting models in essentially the same pose. Although, by the later 1880s, the artist¡¯s ceaseless explorations of a single form or attitude could no longer be neatly sorted into the  categories of ¡°preparatory studies¡± and ¡°finished works,¡± this particular series seems to have culminated in the present pastel; no other portrayal of this subject matches its density of touch and chromatic power.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Apr¨¨s le bain (Femme s'essuyant)\u003c\/li\u003e\n\u003cli\u003eCreator  Edgar Degas\u003c\/li\u003e\n\u003cli\u003eDate Created  about 1896\u003c\/li\u003e\n\u003cli\u003eLocation Created  France\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  72 ¡Á 58 cm (28 3\/8 ¡Á 22 13\/16 in.)\u003c\/li\u003e\n\u003cli\u003eType  Drawing\u003c\/li\u003e\n\u003cli\u003eMedium  Pastel on paper laid down on board\u003c\/li\u003e\n\u003cli\u003eTerms of Use  \u003cdiv aria-hidden=\"true\"\u003e\u003c\/div\u003e Open Content\u003c\/li\u003e\n\u003cli\u003eNumber  2017.75.1\u003c\/li\u003e\n\u003cli\u003eCulture  French\u003c\/li\u003e\n\u003cli\u003eCredit Line  The J. Paul Getty Museum, Los Angeles\u003c\/li\u003e\n\u003cli\u003eCreator Display Name  Edgar Degas (French, 1834 - 1917)\u003c\/li\u003e\n\u003cli\u003eClassification  Drawings (Visual Works)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759206002866,"sku":"P40110","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40110.jpg?v=1746588008"},{"product_id":"p40111","title":"Apollo And Diana","description":"\u003cp\u003e\u003ci\u003eI have just finished a severed kanak [Pacific Islander] head, nicely arranged on a white cushion, in a palace of my invention and guarded by women also of my invention.\u003c\/i\u003e\u003cbr\u003e--Paul Gauguin\u003cbr\u003e\u003cbr\u003eWriting to his friend Daniel de Monfreid, Paul Gauguin referenced in an almost offhand way this startling painting of a decapitated human head, which he made during his first stay in Polynesia in the early 1890s. Real events, from Tahitian King Pomare V's death soon after Gauguin's arrival, to the artist having witnessed a public execution by guillotine several years earlier, likely influenced its dark subject matter. Gauguin added the Tahitian words  Arii  and  Matamoe  in the canvas' upper left. The first means  noble;  the second,  sleeping eyes,  a phrase that implies  death.  \u003cbr\u003e\u003cbr\u003e The notion of a human head ritually displayed in an ornate interior suggests the formality of a ruler lying in state, supported by the presence of sorrowful figures in the background. However, this scene doesn't correspond to actual accounts of Pomare V's funeral because the body wasn't decapitated. Gauguin was just as apt to fantasize about life in Polynesia as he was to document it. Bright reds, yellows, and pinks are juxtaposed with muted browns and purples to evoke a tropical sensibility. The rough, burlap-like canvas also hints at an exotic  primitivism.  In his collage-illustrated book \u003ci\u003eNoa Noa\u003c\/i\u003e--which he began after his first trip to Tahiti--he included a copy of this painting and a comment that he thought of Pomare's death as a metaphor for the loss of native culture due to European colonization. \u003cbr\u003e\u003cbr\u003eSymbolist artists, including Gauguin, had a predilection for images of decapitated heads and any associated figures, such as Orpheus and John the Baptist. But in a more general sense, Gauguin also freely mixed Eastern and Western imagery. His obsession with the theme of death, which appears throughout his Tahitian paintings, is less a reference to spiritual beliefs or to what he saw around him than perhaps more significantly, how he viewed himself. Gauguin thought of himself as a martyr victimized by modern society, which compelled him to escape to a  primitive  culture.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Arii Matamoe (The Royal End)\u003c\/li\u003e\n\u003cli\u003eCreator  Paul Gauguin\u003c\/li\u003e\n\u003cli\u003eDate Created  1892\u003c\/li\u003e\n\u003cli\u003eLocation Created  Tahiti\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  45.1 ¡Á 74.3 cm (17 3\/4 ¡Á 29 1\/4 in.)\u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003cli\u003eMedium  Oil on coarse fabric\u003c\/li\u003e\n\u003cli\u003eTerms of Use  \u003cdiv aria-hidden=\"true\"\u003e\u003c\/div\u003e Open Content\u003c\/li\u003e\n\u003cli\u003eNumber  2008.5\u003c\/li\u003e\n\u003cli\u003eCulture  French\u003c\/li\u003e\n\u003cli\u003eCredit Line  The J. Paul Getty Museum, Los Angeles\u003c\/li\u003e\n\u003cli\u003eCreator Display Name  Paul Gauguin (French, 1848 - 1903)\u003c\/li\u003e\n\u003cli\u003eClassification  Paintings (Visual Works)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759206461618,"sku":"P40111","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40111.jpg?v=1746588007"},{"product_id":"p40112","title":"Apollo And Diana","description":"\u003cp\u003eThis painting dates from the two months Paul Gauguin spent living and working with Vincent van Gogh at the Yellow House in Arles, France. Its setting is the public park opposite the house. Gauguin used a sketchbook to plan the principal figures, the details of their headdresses, and their grouping, as well as the fountain, bench, and conical shrubs wrapped against the frost, all of which he could have observed from his bedroom window. The figure on the left resembles Madame Ginoux, the proprietress of a local caf¨¦. She clutches her shawl to her mouth against the cold wind, known in the region as the mistral. Together with her blank eyes, this gesture suggests stifled grief, reinforcing the sense that she is leading a solemn cortege.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Arl¨¦siennes (Mistral)\u003c\/li\u003e\n\u003cli\u003eCreator  Paul Gauguin (French, 1848-1903)\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1848\/1903\u003c\/li\u003e\n\u003cli\u003eDate Created  1888\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  73 ¡Á 92 cm (28 3\/4 ¡Á 36 3\/16 in.)\u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003cli\u003eMedia  Oil on jute\u003c\/li\u003e\n\u003cli\u003eCredit Line  The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection, 1934.391\u003c\/li\u003e\n\u003cli\u003eArtist  Paul Gauguin (French, 1848-1903)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759206625458,"sku":"P40112","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40112.jpg?v=1746588006"},{"product_id":"p40113","title":"Artist Drawing a Portrait of a Man","description":"\u003cp\u003eThis print by ¨¦douard Manet depicts the Caf¨¦ Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career. Here, he experimented with transfer lithography¡ªa new technique at the time¡ªto suggest the quick, sketchy lines of drawing, making the image appear as if it had been created quickly and spontaneously.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  At the Caf¨¦\u003c\/li\u003e\n\u003cli\u003eCreator  Edouard Manet (French, 1832-1883)\u003c\/li\u003e\n\u003cli\u003eDate Created  1874\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  Image  26.3 x 33.4 cm (10 3\/8 x 13 1\/8 in.); Sheet  26.9 x 36 cm (10 9\/16 x 14 3\/16 in.)\u003c\/li\u003e\n\u003cli\u003eProvenance  Rouart Collection, Paris, France,  (sale, Klipstein \u0026amp; Kornfeld, Bern, May 17, 1957),  (sale, Christie's, London, December 2, 1987),  Graphisches Kabinett Kunsthandel Wolfgang Werner, Bremen, Germany,  Klaus J. Jacobs, Z¨¹rich,  (sale, Kunsthaus Lempertz, Berlin, December 1, 2017),  (Joel R. Bergquist Fine Arts, Nashville, TN, sold to the Print Club of Cleveland, Cleveland, OH),  Print Club of Cleveland, Cleveland, OH, given to the Cleveland Museum of Art, Cleveland, OH,  Cleveland Museum of Art, Cleveland, OH\u003c\/li\u003e\n\u003cli\u003eType  Print\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  gillotage\u003c\/li\u003e\n\u003cli\u003eInscriptions  signed, in plate, at lower right  Manet,  on recto, at lower left  fragment of an unidentified blind stamp (HN within shield)\u003c\/li\u003e\n\u003cli\u003eFun Fact  This image appeared in the Belgian journal \u0026lt;em\u0026gt;L¡¯Europe\u0026lt;\/em\u0026gt;, which was censored by Parisian police. This impression is the only one known to have been saved before the journal was destroyed.\u003c\/li\u003e\n\u003cli\u003eDepartment  Prints\u003c\/li\u003e\n\u003cli\u003eCulture  France, 19th century\u003c\/li\u003e\n\u003cli\u003eCredit Line  Gift of the Print Club of Cleveland in honor of its 100th anniversary\u003c\/li\u003e\n\u003cli\u003eCollection  PR - Lithograph\u003c\/li\u003e\n\u003cli\u003eAccession Number  2019.57\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759207248050,"sku":"P40113","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40113.jpg?v=1746588005"},{"product_id":"p40114","title":"Ascension of Christ","description":"\u003cp\u003eForty days after his Resurrection, Christ made his final appearance to his apostles. The story of the Ascension (Acts 1 9-12) tells that Christ's apostles were standing with him on the Mount of Olives when he was lifted up and taken to heaven in a cloud. D¨¹rer depicted Christ with the traditional signs of his role as world saviour-making a gesture of blessing with his right hand and holding a cross-topped globe in his left. The artist included cherubs in the cloud, along with Christ's footprints, which, according to later tradition, were preserved on the Mount of Olives.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Ascension of Christ\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer (German, 1471-1528)\u003c\/li\u003e\n\u003cli\u003eDate Created  c. 1515\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  Sheet  31 x 22.1 cm (12 3\/16 x 8 11\/16 in.); Framed  52.5 x 39.8 x 2.3 cm (20 11\/16 x 15 11\/16 x 7\/8 in.)\u003c\/li\u003e\n\u003cli\u003eProvenance  Prince Heinrich Lubomirski, Castle Przeworst, Poland,  Lubomirski Museum-Ossolinski National Institute, Lemberg (now Lviv, Ukraine),  Prince Lubomirski,  Prince Heinrich Lubomirski, Castle Przeworst, Poland (not in Lugt, not stamped); Lubomirski Museum-Ossolinski National Institute, Lemberg, Austrian Crownland of Galicia, to 1918 (Lw¨®w, Poland to 1939, now Lviv, Ukraine) (stamped, in red ink, on fragment of old mount, now removed). Prince Georg Lubomirski (not in Lugt, not stamped, according to departmental cataloguing sheet). [Paul Drey, New York]\u003c\/li\u003e\n\u003cli\u003eType  Drawing\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  pen and brown ink\u003c\/li\u003e\n\u003cli\u003eDepartment  Drawings\u003c\/li\u003e\n\u003cli\u003eCulture  Germany, 16th century\u003c\/li\u003e\n\u003cli\u003eCredit Line  Gift of the Hanna Fund\u003c\/li\u003e\n\u003cli\u003eCollection  DR - German\u003c\/li\u003e\n\u003cli\u003eAccession Number  1952.530\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759207411890,"sku":"P40114","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40114.jpg?v=1746588004"},{"product_id":"p40115","title":"Assumption and Coronation of the Virgin","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Assumption and Coronation of the Virgin\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  1510\u003c\/li\u003e\n\u003cli\u003eLocation  Germany\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  Sheet  12 x 8 11\/16 in. (30.48 x 22.07 cm)\u003c\/li\u003e\n\u003cli\u003eMedium  Woodcut\u003c\/li\u003e\n\u003cli\u003eSeries Title  Life of the Virgin\u003c\/li\u003e\n\u003cli\u003eObject Classification  Prints\u003c\/li\u003e\n\u003cli\u003eFull Title  Assumption and Coronation of the Virgin\u003c\/li\u003e\n\u003cli\u003eCuratorial Area  Prints and Drawings\u003c\/li\u003e\n\u003cli\u003eCredit Line  Graphic Arts Council Fund\u003c\/li\u003e\n\u003cli\u003eChronology  16th century\u003c\/li\u003e\n\u003cli\u003eArtwork Accession Number  M.69.6.2\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759207542962,"sku":"P40115","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40115.jpg?v=1746588003"},{"product_id":"p40116","title":"Bacchanal mit Silen (nach Mantegna)","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Ballet Rehearsal on Stage\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1834 - 1917\u003c\/li\u003e\n\u003cli\u003eCreator Nationality  French\u003c\/li\u003e\n\u003cli\u003eCreator Gender  Male\u003c\/li\u003e\n\u003cli\u003eDate Created  1874\u003c\/li\u003e\n\u003cli\u003eProvenance  Bequest of comte Isaac de Camondo, 1911\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  w810 x h650 cm\u003c\/li\u003e\n\u003cli\u003ePainter  Edgar Degas\u003c\/li\u003e\n\u003cli\u003eOriginal Title  R¨¦p¨¦tition d'un ballet sur la sc¨¨ne\u003c\/li\u003e\n\u003cli\u003eCredit Line  ? Mus¨¦e d'Orsay, dist. RMN \/ Patrice Schmidt\u003c\/li\u003e\n\u003cli\u003eType  Oil on canvas\u003c\/li\u003e\n\u003cli\u003eRights  ? Mus¨¦e d'Orsay, dist. RMN \/ Patrice Schmidt\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759207805106,"sku":"P40116","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40116.jpg?v=1746588002"},{"product_id":"p40117","title":"Bagnacavallo Madonna","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Bather Drying Herself\u003c\/li\u003e\n\u003cli\u003eCreator  Edgar Degas\u003c\/li\u003e\n\u003cli\u003eDate Created  ca. 1892\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  Sheet  10 3\/8 x 10 3\/8 in. (26.4 x 26.4cm)\u003c\/li\u003e\n\u003cli\u003eType  Drawing\u003c\/li\u003e\n\u003cli\u003eMedium  Charcoal and pastel, heightened with white chalk, on tracing paper (mounted on cardboard)\u003c\/li\u003e\n\u003cli\u003eRepository  Metropolitan Museum of Art, New York, NY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759207968946,"sku":"P40117","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40117.jpg?v=1746588002"},{"product_id":"p40118","title":"Bearded Saint in a Forest, c. 1516","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Bend Of The Road At The Top Of The Chemin Des Lauves\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1839-01-19 - 1906-10-22\u003c\/li\u003e\n\u003cli\u003eCreator Nationality  French\u003c\/li\u003e\n\u003cli\u003eCreator Gender  Male\u003c\/li\u003e\n\u003cli\u003eCreator Death Place  Aix-en-Provence, France\u003c\/li\u003e\n\u003cli\u003eCreator Birth Place  Aix-en-Provence, France\u003c\/li\u003e\n\u003cli\u003eDate Created  1904¨C1906 - ca. 1904¨C1906\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  w81 x h65 cm\u003c\/li\u003e\n\u003cli\u003ePainter  Paul C¨¦zanne\u003c\/li\u003e\n\u003cli\u003eOriginal Title  La Route Tournante En Haut Du Chemin Des Lauves\u003c\/li\u003e\n\u003cli\u003eType  Oil on canvas\u003c\/li\u003e\n\u003cli\u003eRights  Fondation Beyeler, Riehen\/Basel, Photo  Peter Schibli, Basel\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759208100018,"sku":"P40118","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40118.jpg?v=1746588001"},{"product_id":"p40119","title":"Betrayal Of Christ","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Boy With a Straw Hat\u003c\/li\u003e\n\u003cli\u003eCreator  Paul C¨¦zanne\u003c\/li\u003e\n\u003cli\u003eDate Created  1896\u003c\/li\u003e\n\u003cli\u003eLocation  France\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  27 1\/8 x 22 7\/8 in. (68.9 x 58.1 cm)\u003c\/li\u003e\n\u003cli\u003eMedium  Oil on canvas\u003c\/li\u003e\n\u003cli\u003eObject Classification  Paintings\u003c\/li\u003e\n\u003cli\u003eFull Title  Boy With a Straw Hat\u003c\/li\u003e\n\u003cli\u003eCuratorial Area  European Painting\u003c\/li\u003e\n\u003cli\u003eCredit Line  Mr. and Mrs. George Gard De Sylva Collection\u003c\/li\u003e\n\u003cli\u003eChronology  1851-1900\u003c\/li\u003e\n\u003cli\u003eArtwork Accession Number  M.48.4\u003c\/li\u003e\n\u003cli\u003eAlternative Titles  L'Enfant au Chapeau de Paille\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759208362162,"sku":"P40119","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40119.jpg?v=1746588000"},{"product_id":"p40120","title":"Blue Flag Iris","description":"\u003cp\u003ePrior to World War II, with 48 drawings and watercolors by Albrecht D¨¹rer and nearly all his printed works, the Department of Prints and Drawings at the Kunsthalle Bremen owned the secondlargest D¨¹rer collection in Germany, after Berlin. Following the war, only three of the drawings from the collection¡¯s inventory returned. In the meantime, an additional ten drawings and watercolors have found their way back. The three drawings you see here come from the large bequest of Hieronymus Klugkist. They illustrate in an exemplary way D¨¹rer¡¯s achievement in the German Renaissance as the inventor of the landscape and the nude as independent genres. Trento, View from the North is among the 32 watercolors that have come down to us, that D¨¹rer created as a young man some time between the years 1494 and 1500, when he also first traveled to Italy (1494¨C95). Whereas here he depicted the northern Italian city in the Etsch Valley as a broad landscape, for the most part, with extremely wet brushstrokes, he worked the large-format plant study Blue Flag Iris in extremely delicate gradations of color, revealing minute details. In Italy, D¨¹rer¡¯s interest in portraying the human body was also awakened. Back in Nuremberg, he created his famous work The Women¡¯s Bath. Up until this point, nudes had featured exclusively in religious contexts. But D¨¹rer¡¯s bold drawing, done in his youth, shows a contemporary, private or public bath with six women of varying ages as well as two children. Out of principle, men were not allowed to frequent such places. But here, through a crack in the door, a man catches a glimpse of what is going on. It is not known today whether this pen-and-ink drawing served as a preliminary drawing for a print¡ªit is possible that D¨¹rer planned to produce a pendant to his large-scale woodcut The Men¡¯s Bath (Inv. No. Kl. 1841).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Blue Flag Iris\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  c. 1503\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  775.0 x 313.0 mm\u003c\/li\u003e\n\u003cli\u003eType  drawing\u003c\/li\u003e\n\u003cli\u003eRights  Kunsthalle Bremen - Der Kunstverein in Bremen. Kupferstichkabinett\u003c\/li\u003e\n\u003cli\u003eMedium  Watercolor and body color\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759208460466,"sku":"P40120","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40120.jpg?v=1746588000"},{"product_id":"p40121","title":"Burkhard von Speyer","description":"\u003cp\u003eLate in the summer of 1505 D¨¹rer travelled to Venice where he stayed until early in 1507. His work and life there are recorded in ten letters to his friend Willibald Pirckheimer. In 1506 the German merchants in Venice who belonged to the confraternity of the Rosary commissioned an altarpiece, 'The Feast of the Rose Garlands', for the German church of San Bartolommeo (now N¨¢rodni Galerie, Prague). According to the inscription on the painting, D¨¹rer completed the work in five months. In a letter to Willibald Pirckheimer dated 23 September 1506 D¨¹rer wrote that he would leave Venice in a month's time, 'but I must first take the portraits of some people I have promised'. This painting is one of the portraits painted by the artist in Venice. The sitter appears as the fourth figure from the left in the 'The Feast of the Rose Garlands', where he wears identical clothes. He has been indentified as Burkhard of Speyer on the basis of his resemblance to a miniature portrait (Schlossmuseum, Weimar) with the inscription 'Burcardus de Burcardis Spirensis 1506'. All three portraits record his distinctive nose, high cheekbones and small eyes in a three-quarter view, but the miniature is a half-length as opposed to just head and shoulders. In the altarpiece Burkhard is shown with ecclesiastical figures to the left of the Virgin. He may have been one of the German chaplains attached to San Bartolommeo. He may also have been related to Johannes Burkhard, from Alsace, Master of Ceremonies at the Vatican, and Bishop of Arte and Civita Castellana. Despite being placed with the ecclesiastics, however, Burkhard wears secular Venetian dress including the rounded Italian bonnet or beret and gown over a red under-jacket. D¨¹rer's work in Venice shows an interesting meeting of German and Venetian techniques. He would have been impressed by the rich and varied colours available in Venice and brilliantly exploited by Venetians such as the elderly Giovanni Bellini (c.1431\/6-1516). Already painting with breadth and fluidity, he now combined vibrant colours in semi-transparent layers to sumptuous effect. His meticulous attention to detail prompted his friend Joachim Camerarius to write the legendary tale of how Bellini admired D¨¹rer's skill, particularly the delicacy with which he drew individual hairs. Asking D¨¹rer for a special brush to paint several fine hairs with one stroke, he was shown an ordinary brush. For this portrait D¨¹rer combined his exacting record of faces and mastery of line with Venetian colour. The head-and-shoulders format and sense of colour and light in this portrait were clearly influenced by Giovanni Bellini's late portrait style, for example Giovanni Bellini 'Portrait of a Young Man', possibly Pietro Bembo c.1505 (RCIN 405761) in the Royal Collection. It was thought the miniature was a copy of the painting, which therefore had been cut down. The vertical edges of the panel seem to have been tidied up, but there is no evidence that the painting has been cut, and the other portraits D¨¹rer painted in Venice have the same close-up view of the sitter. The support of poplar or willow is Venetian, as is the gesso ground. This was modified by a translucent upper layer of a warm pinkish brown found on other German paintings of this period. The portrait's tonality struck Abraham van der Doort, who recorded it in the seventeenth century as a 'red faced mans picture'. The portrait is thinly painted so that the pink-brown ground can be seen in the shirt and in the modelling of the face, but the highlights are also warm in hue. Infrared reflectography and X-ray show that the edge of Burkhard's hat was adjusted on his brow and both shoulders lowered. D¨¹rer manipulated and softened the shadows in the nose and neck with his thumb or fingers. In the seventeenth century the painting was hung in the Chair Room at Whitehall, together with the king's most precious paintings, which included D¨¹rer's 'Self Portrait' (Museo del Prado, Madrid) and the portrait of his father (National Gallery, London).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Burkhard von Speyer\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1471 - 1528\u003c\/li\u003e\n\u003cli\u003eDate Created  1506\u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003cli\u003eRights  Supplied by Royal Collection Trust \/ (c) HM Queen Elizabeth II 2012\u003c\/li\u003e\n\u003cli\u003eProvenance  Acquired by Charles I\u003c\/li\u003e\n\u003cli\u003eObject description  Head and shoulders of a man who is facing half to the left, with fine, fair-orange hair under a black hat. He  wears a white shirt under a red under-jacket and fur-lined black gown against a black background.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759209410738,"sku":"P40121","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40121.jpg?v=1746587999"},{"product_id":"p40122","title":"Buttercups, Red Clover, and Plantain","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Cat and Flowers\u003c\/li\u003e\n\u003cli\u003eCreator  ¨¦douard Manet\u003c\/li\u003e\n\u003cli\u003eDate Created  1869\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  plate  7 7\/8 x 5 7\/8 in. (20 x 14.9 cm)\nsheet  13 1\/4 x 8 7\/8 in. 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Originally from Nuremberg, the painter headed off to meet Martin Schongauer (c. 1450-1491) in Colmar in 1490, but Schongauer died shortly before D¨¹rer's arrival. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Christ as Man of Sorrows\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1471 - 1528\u003c\/li\u003e\n\u003cli\u003eCreator Nationality  German\u003c\/li\u003e\n\u003cli\u003eDate Created  1493\u003c\/li\u003e\n\u003cli\u003eLocation Created  Strasbourg,  France\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  30 x 19 cm\u003c\/li\u003e\n\u003cli\u003eSubject Keywords  Jesus Christ,  Saviour,  Passion,  Pensive Christ,  Man of Sorrows,  Schongauer,  Stigmata,  Crown of thorns,  Duerer,  Durer\u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003cli\u003ePublisher  Staatliche Kunsthalle Karlsruhe (State Art Gallery Karlsruhe)\u003c\/li\u003e\n\u003cli\u003eMedium  Mixed technique\u003c\/li\u003e\n\u003cli\u003eArt Genre  Portrait\u003c\/li\u003e\n\u003cli\u003eArt Movement  Renaissance,  German Renaissance\u003c\/li\u003e\n\u003cli\u003eSupport  Conifer wood\u003c\/li\u003e\n\u003cli\u003eDepicted Person  Jesus Christ\u003c\/li\u003e\n\u003cli\u003eDepicted Topic  Jesus Christ,  Man of Sorrows,  Pensive Christ\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759210950834,"sku":"P40125","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40125.jpg?v=1746587997"},{"product_id":"p40126","title":"Christ before Annas","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Christ before Annas\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  probably c. 1509\/1510\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  woodcut\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759211016370,"sku":"P40126","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40126.jpg?v=1746587996"},{"product_id":"p40127","title":"Christ Before Caiaphas, from The Small Passion","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Purification of the Temple\u003c\/li\u003e\n\u003cli\u003eCreator  El Greco (Dom¨¦nikos Theotok¨®poulos)\u003c\/li\u003e\n\u003cli\u003eDate Created  ca. 1600\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  16 1\/2 x 20 5\/8 in. 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His body is weightless, rising up like a flame and even the nails cannot hold him to the cross. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Christ crucified with Toledo in the Background\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1541 - 1614\u003c\/li\u003e\n\u003cli\u003eCreator Nationality  Greek\u003c\/li\u003e\n\u003cli\u003eCreator Gender  Male\u003c\/li\u003e\n\u003cli\u003eCreator Death Place  Toledo\u003c\/li\u003e\n\u003cli\u003eCreator Birth Place  Crete\u003c\/li\u003e\n\u003cli\u003eDate Created  1604 - 1614\u003c\/li\u003e\n\u003cli\u003eStyle  Renaissance\u003c\/li\u003e\n\u003cli\u003ePlace Part Of  Spain\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  w690 x h1110 mm (Complete)\u003c\/li\u003e\n\u003cli\u003ePainter  Domenikos Theotokopoulos, El Greco\u003c\/li\u003e\n\u003cli\u003eExhibition  Madrid, Spain\u003c\/li\u003e\n\u003cli\u003eCredit Line  Signed at the foot of the cross  ¡°dominikos theotokopoulos e`poise \u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003cli\u003eRights  Fundaci¨®n Banco Santander,  www.fundacionbancosantander.com\u003c\/li\u003e\n\u003cli\u003eMedium  Oil on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759213211826,"sku":"P40131","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40131.jpg?v=1746587993"},{"product_id":"p40132","title":"Christ Nailed to the Cross, from the Small Woodcut Passion","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Christ on the Cross with the Virgin and Saint John\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  n.d.\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  sheet  8 5\/8 x 5 7\/16 in. 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(43.2 x 37.1 cm)\u003c\/li\u003e\n\u003cli\u003eType  Print\u003c\/li\u003e\n\u003cli\u003eMedium  Woodcut\u003c\/li\u003e\n\u003cli\u003eRepository  Metropolitan Museum of Art, New York, NY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759213506738,"sku":"P40134","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40134.jpg?v=1746587991"},{"product_id":"p40135","title":"Christ on the Cross","description":"\u003cp\u003eThe English description of the artwork will follow shortly\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Christ on the Mount of Olives\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eCreator Nationality  German\u003c\/li\u003e\n\u003cli\u003eDate Created  1520\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  27,9 x 20,9 c,\u003c\/li\u003e\n\u003cli\u003eType  Drawing\u003c\/li\u003e\n\u003cli\u003eMedium  Brown pen\u003c\/li\u003e\n\u003cli\u003eArt Genre  History\u003c\/li\u003e\n\u003cli\u003eArt Movement  Renaissance\u003c\/li\u003e\n\u003cli\u003eArt Form  Drawing\u003c\/li\u003e\n\u003cli\u003eSupport  Paper\u003c\/li\u003e\n\u003cli\u003eDepicted Location  Mount of Olives, Israel\u003c\/li\u003e\n\u003cli\u003eDepicted Person  Jesus Christ\u003c\/li\u003e\n\u003cli\u003eDepicted Topic  Bible\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759213801650,"sku":"P40135","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40135.jpg?v=1746587990"},{"product_id":"p40136","title":"Christ on the Mount of Olives","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Christ on the Mount of Olives\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  probably c. 1509\/1510\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  woodcut\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759213932722,"sku":"P40136","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40136.jpg?v=1746587989"},{"product_id":"p40137","title":"Christ on the Mount of Olives, from The Large Passion","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Christ on the Mount of Olives, from The Large Passion\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  n.d.\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  sheet  17 3\/8 x 12 in. 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Zwar erm?glichte es dieses Verfahren, die Zeichnung z¨¹gig und mit wenig Kraftaufwand in das Eisenblech zu ¨¹berf¨¹hren, das rostanf?llige Materialf¨¹hrte allerdings zu fleckigen Abz¨¹gen ¨C wohl ein Grund daf¨¹r, dass insgesamt nur sechs Eisenradierungen im Gesamtwerk des K¨¹nstlers nachzuweisen sind (vgl. Schoch I.19). Hellers ab 1827 erschienenen D¨¹rer-Publikation zufolge (vgl. Heller D¨¹rer 1827 II.390), rettete der ?sterreichische Maler Josef Sch?pf (1745-1822) die Platte vor der Weiterverarbeitung durch einen Schmied und ¨¹berlie? sie sp?ter dem in Innsbruck ans?ssigen Maler und Kupfer?tzer Johann Georg Schaedler (1777-1866). Bereits am 17.04.1821 informierte ihn der Innsbrucker Rentmeister Augustin Anton Pfaundler (1757-1822) dar¨¹ber, dass Schaedler die Platte besitzt und Abz¨¹ge davon ver?u?ert; diese seien vorher ?u?erst selten gewesen (vgl. JH.Comm.lit.5 der Staatsbibliothek Bamberg). Noch w?hrend einer Reise, die Heller 1821 nach Innsbruck f¨¹hrte, konnte er die Platte erwerben (vgl. Quittung von Carl Eichler). Dass auch er Abz¨¹ge herstellen lie?, belegen die 138 Exemplare, die nach seinem Tod gemeinsam mit der Druckform in den Bestand der damals noch K?niglichen Bibliothek ¨¹bergingen (vgl. Msc.Misc.177(2).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Christus am ?lberg\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  1515\u003c\/li\u003e\n\u003cli\u003eLocation  N¨¹rnberg\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  22,7 x 16,1 x 0,1 cm, 258g (Druckform)\u003c\/li\u003e\n\u003cli\u003eRights  CC-BY-SA 4.0\u003c\/li\u003e\n\u003cli\u003eMedium  Eisenradierung\u003c\/li\u003e\n\u003cli\u003eShelf mark  Kupferplatte 25\u003c\/li\u003e\n\u003cli\u003ePhotographer  Gerald Raab\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759214751922,"sku":"P40139","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40139.jpg?v=1746587987"},{"product_id":"p40140","title":"Christ Taking Leave of His Mother","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Christ Taking Leave of His Mother, from The Life of the Virgin, Latin Edition, 1511\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  1511\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  sheet  17 x 14 5\/8 in. (43.2 x 37.1 cm)\u003c\/li\u003e\n\u003cli\u003eType  Print\u003c\/li\u003e\n\u003cli\u003eMedium  Woodcut\u003c\/li\u003e\n\u003cli\u003eRepository  Metropolitan Museum of Art, New York, NY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759214882994,"sku":"P40140","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40140.jpg?v=1746587987"},{"product_id":"p40141","title":"Christ Taking Leave of His Mother, from The Life of the Virgin","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Cliffs in L¡äEstaque\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1839 - 1906\u003c\/li\u003e\n\u003cli\u003eCreator Death Place  Aix-en-Provence, France\u003c\/li\u003e\n\u003cli\u003eCreator Birth Place  Aix-en-Provence, France\u003c\/li\u003e\n\u003cli\u003eDate  1882 - 1885\u003c\/li\u003e\n\u003cli\u003eT¨¦cnica  ¨®leo sobre tela\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  w92 x h73 cm\u003c\/li\u003e\n\u003cli\u003eAuthor  Paul C¨¦zanne\u003c\/li\u003e\n\u003cli\u003eProvenance  Doa??o [Gift] Edward Marvin,1953\u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759215046834,"sku":"P40141","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40141.jpg?v=1746587986"},{"product_id":"p40142","title":"Christ's Entry into Jerusalem","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Christ's Entry into Jerusalem\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  probably c. 1509\/1510\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  sheet (trimmed within plate mark)  12.7 x 9.8 cm (5 x 3 7\/8 in.)\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  woodcut\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759215210674,"sku":"P40142","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40142.jpg?v=1746587985"},{"product_id":"p40143","title":"Christus am ?lberg","description":"\u003cp\u003eD¨¹rer setzte das Motiv  Christus am ?lberg  im Jahr 1515 als Radierung um und verwendete damit eine Technik, die urspr¨¹nglich Plattner und Waffen?tzer zur kunsthandwerklichen Verzierung von milit?rischen Prunkst¨¹cken benutzten. Zwar erm?glichte es dieses Verfahren, die Zeichnung z¨¹gig und mit wenig Kraftaufwand in das Eisenblech zu ¨¹berf¨¹hren, das rostanf?llige Materialf¨¹hrte allerdings zu fleckigen Abz¨¹gen ¨C wohl ein Grund daf¨¹r, dass insgesamt nur sechs Eisenradierungen im Gesamtwerk des K¨¹nstlers nachzuweisen sind (vgl. Schoch I.19). Hellers ab 1827 erschienenen D¨¹rer-Publikation zufolge (vgl. Heller D¨¹rer 1827 II.390), rettete der ?sterreichische Maler Josef Sch?pf (1745-1822) die Platte vor der Weiterverarbeitung durch einen Schmied und ¨¹berlie? sie sp?ter dem in Innsbruck ans?ssigen Maler und Kupfer?tzer Johann Georg Schaedler (1777-1866). Bereits am 17.04.1821 informierte ihn der Innsbrucker Rentmeister Augustin Anton Pfaundler (1757-1822) dar¨¹ber, dass Schaedler die Platte besitzt und Abz¨¹ge davon ver?u?ert; diese seien vorher ?u?erst selten gewesen (vgl. JH.Comm.lit.5 der Staatsbibliothek Bamberg). Noch w?hrend einer Reise, die Heller 1821 nach Innsbruck f¨¹hrte, konnte er die Platte erwerben (vgl. Quittung von Carl Eichler). Dass auch er Abz¨¹ge herstellen lie?, belegen die 138 Exemplare, die nach seinem Tod gemeinsam mit der Druckform in den Bestand der damals noch K?niglichen Bibliothek ¨¹bergingen (vgl. Msc.Misc.177(2).\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Christus am ?lberg\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  1515\u003c\/li\u003e\n\u003cli\u003eLocation  N¨¹rnberg\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  22,7 x 16,1 x 0,1 cm, 258g (Druckform)\u003c\/li\u003e\n\u003cli\u003eRights  CC-BY-SA 4.0\u003c\/li\u003e\n\u003cli\u003eMedium  Eisenradierung\u003c\/li\u003e\n\u003cli\u003eShelf mark  Kupferplatte 25\u003c\/li\u003e\n\u003cli\u003ePhotographer  Gerald Raab\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759215308978,"sku":"P40143","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40143.jpg?v=1746587985"},{"product_id":"p40144","title":"Coat of Arms of Albrecht D¨¹rer","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Coat of Arms of Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  1523\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  sheet  13 13\/16 x 10 1\/4 in. (35.1 x 26.1 cm)\u003c\/li\u003e\n\u003cli\u003eType  Print\u003c\/li\u003e\n\u003cli\u003eMedium  Woodcut\u003c\/li\u003e\n\u003cli\u003eRepository  Metropolitan Museum of Art, New York, NY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759215472818,"sku":"P40144","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40144.jpg?v=1746587984"},{"product_id":"p40145","title":"Coat of Arms of Johann Tscherte","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Coat of Arms of Johann Tscherte\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  n.d.\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  sheet  7 1\/4 x 5 11\/16 in. (18.4 x 14.4 cm)\u003c\/li\u003e\n\u003cli\u003eType  Print\u003c\/li\u003e\n\u003cli\u003eMedium  Woodcut\u003c\/li\u003e\n\u003cli\u003eRepository  Metropolitan Museum of Art, New York, NY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759215603890,"sku":"P40145","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40145.jpg?v=1746587983"},{"product_id":"p40146","title":"Coat of Arms of Michael Behaim","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Coat of Arms of Michael Behaim\u003c\/li\u003e\n\u003cli\u003eCreator  Albrecht D¨¹rer\u003c\/li\u003e\n\u003cli\u003eDate Created  probably c. 1520\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  woodcut\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759215734962,"sku":"P40146","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40146.jpg?v=1746587983"},{"product_id":"p40147","title":"Coat of Arms of the German Empire and Nuremberg City","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Contes barbares (Barbarian Tales)\u003c\/li\u003e\n\u003cli\u003eCreator  Paul Gauguin\u003c\/li\u003e\n\u003cli\u003eCreator Lifespan  1848\/1903\u003c\/li\u003e\n\u003cli\u003eDate  1902\u003c\/li\u003e\n\u003cli\u003eProvenance  Acquired in 1903\/04 for the Museum Folkwang, Hagen, since 1922 Essen\u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003cli\u003eRights  ? Museum Folkwang\u003c\/li\u003e\n\u003cli\u003eMedium  Oil on canvas\u003c\/li\u003e\n\u003cli\u003eH?he  131.5 cm\u003c\/li\u003e\n\u003cli\u003eCollection  Painting, Sculpture, Media Art\u003c\/li\u003e\n\u003cli\u003eBreite  90.5 cm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759215997106,"sku":"P40147","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40147.jpg?v=1746587982"},{"product_id":"p40148","title":"Coat of Arms with a Lion and a Cock","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Conversation at the Racetrack\u003c\/li\u003e\n\u003cli\u003eCreator  Edgar Degas\u003c\/li\u003e\n\u003cli\u003eDate Created  1882\/85\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  sheet  27 3\/8 x 27 9\/16 in. (69.53 x 70.01 cm)\u003c\/li\u003e\n\u003cli\u003eType  DRAWINGS\u003c\/li\u003e\n\u003cli\u003eMedium  Pastel on tan paper\u003c\/li\u003e\n\u003cli\u003eArt Movement  Impressionist, Realist\u003c\/li\u003e\n\u003cli\u003eSupport  paper (fiber product)\u003c\/li\u003e\n\u003cli\u003eDepicted Topic  conversation pieces, figures (representations), horse racetracks, women\u003c\/li\u003e\n\u003cli\u003eTechnique Terms  drawing (image-making)\u003c\/li\u003e\n\u003cli\u003ePlace Made  France\u003c\/li\u003e\n\u003cli\u003eObject Type Terms  drawings, pastels\u003c\/li\u003e\n\u003cli\u003eMaterial Terms  pastels, pastels (crayons)\u003c\/li\u003e\n\u003cli\u003eImage Source  Milwaukee Art Museum, John R. Glembin\u003c\/li\u003e\n\u003cli\u003eCredit Line  Milwaukee Art Museum, Gift of Mr. Harry Lynde Bradley M1957.20\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759216160946,"sku":"P40148","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40148.jpg?v=1746587981"},{"product_id":"p40149","title":"Coat of arms with Three Lions' Heads","description":"\u003cp\u003eThis print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist¡¯s friend Ludovic Hal¨¦vy. The satirical stories revolve around two young dancers at the Op¨¦ra, Pauline and Virginie Cardinal, and their procuress mother. In late 19th-century Paris, the ballet was the profession of lower-class girls and young women who were available for sexual hire. Here, in the opening scene, Hal¨¦vy, the first-person narrator, meets with Madame Cardinal in the coulisses (wings) of the Op¨¦ra to arrange for a private rendezvous with one of her daughters. The dancers, whose sexual availability is the subtext of the composition, are conspicuously absent.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTitle  Conversation  Ludovic Hal¨¦vy and Madame Cardinal (The Conversation) for  La Famille Cardinal  by Ludovic Hal¨¦vy\u003c\/li\u003e\n\u003cli\u003eCreator  Edgar Degas (French, 1834¨C1917)\u003c\/li\u003e\n\u003cli\u003eDate Created  c. 1880¨C83\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  Platemark  21.3 x 16 cm (8 3\/8 x 6 5\/16 in.); Sheet  25.5 x 17.8 cm (10 1\/16 x 7 in.)\u003c\/li\u003e\n\u003cli\u003eType  Print\u003c\/li\u003e\n\u003cli\u003eRights  CC0\u003c\/li\u003e\n\u003cli\u003eMedium  monotype\u003c\/li\u003e\n\u003cli\u003eFun Fact  Ludovic Hal¨¦vy once co-authored a play, \u0026lt;em\u0026gt;La Cigale\u0026lt;\/em\u0026gt;, in which one of the characters was clearly based on Edgar Degas.\u003c\/li\u003e\n\u003cli\u003eDepartment  Prints\u003c\/li\u003e\n\u003cli\u003eCulture  France, 19th century\u003c\/li\u003e\n\u003cli\u003eCredit Line  Gift of The Print Club of Cleveland in honor of Henry Sayles Francis\u003c\/li\u003e\n\u003cli\u003eCollection  PR - Monotype\u003c\/li\u003e\n\u003cli\u003eAccession Number  1967.167\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759216259250,"sku":"P40149","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40149.jpg?v=1746587981"},{"product_id":"p40150","title":"Conrad Celtis biedt Frederik III de Wijze, keurvorst van Saksen, een boek met het werk van Roswitha van Gandersheim aan","description":"\n\u003cul\u003e\n\u003cli\u003eTitle  Copy after Delacroix's  Bark of Dante \u003c\/li\u003e\n\u003cli\u003eCreator  ¨¦douard Manet\u003c\/li\u003e\n\u003cli\u003eDate Created  ca. 1859\u003c\/li\u003e\n\u003cli\u003ePhysical Dimensions  13 x 16 1\/8 in. (33 x 41 cm)\u003c\/li\u003e\n\u003cli\u003eType  Painting\u003c\/li\u003e\n\u003cli\u003eMedium  Oil on canvas\u003c\/li\u003e\n\u003cli\u003eRepository  Metropolitan Museum of Art, New York, NY\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DecorArts","offers":[{"title":"Default Title","offer_id":44759216849074,"sku":"P40150","price":37.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0589\/5985\/5794\/files\/P40150.jpg?v=1746587980"}],"url":"https:\/\/decorarts.com\/es\/collections\/albrecht-durer.oembed?page=2","provider":"DecorArts","version":"1.0","type":"link"}