By the time Monet painted this work, the Impressionists had already staged their final group exhibition in Paris in 1886; Pointillism and Neo-Impressionism had become the new avant-garde; and Monet, in his late forties, was viewed as an established artist. Now, instead of traveling to tourist destinations to paint, he could turn to subjects near him in Giverny—fields of poppies, the River Epte, and grainstacks. From 1888 to 1889, Monet painted three canvases of two identical grainstacks, and then two more paintings depicting a single grainstack. In 1890, Monet began his familiar suite of 25 grainstack paintings, soon followed by the poplar series, then a series showing the Rouen Cathedral, the Thames, and finally, his best known, the water lily paintings. It has been noted that Monet was following the example set by two Japanese artists he admired, Hokusai in his One Hundred Views of Mount Fuji and Hiroshige in his One Hundred Views of the City of Edo. With his grainstack series, Monet was trying to capture what he called “instantaneity” or the effect of the “envelope of light and atmosphere” that defined an object. To do this, he painted the stacks near his home in Giverny throughout the spring, summer, fall, and winter of 1890-91, intending to exhibit the finished paintings together to maintain unity and coherence. The canvases are divided into three parallel bands representing field, hills, and sky. These horizontal bands are linked together not only by color but also by the strong geometric, conical forms of the grainstacks and the roof ridges beyond. An innovative halo of backlighting, in Hill-Stead’s example, outlines the shape of the stacks to define their contours. Fifteen of the 25 grainstack paintings were exhibited by the dealer Durand-Ruel in Paris in May 1891, and all were sold in three days.
- Title: Grainstacks in Bright Sunlight
- Creator: Claude Monet
- Creator Lifespan: 1840-1926
- Creator Nationality: French
- Date Created: 1890
- Location Created: Giverny, France
- Physical Dimensions: L. 38 in. (96.5 cm.), W. 23 in. (58.4 cm.)
- Type: Painting
- Medium: Oil
- Art Genre: Landscape
- Art Movement: French Impressionism
- Art Form: Painting
- Support: Canvas
- Depicted Location: Giverny, France
- Depicted Topic: Grainstacks, Clos Morin
DecorArts is a professional wall art company located in California.
Each of our prints is proudly designed and constructed in the USA, right in our workshop. We are dedicated to delivering the finest quality, craftsmanship, and customer service with each and every order. With giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
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Giclée Quality Guarantee:
Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
- For giclée printing, the paper or substrate used to actually print the final piece must be acid free and consist of a 100% cotton base.
- Any image that is to be printed as a giclée needs to be created at a resolution of no less than 300 dots per inch (DPI). This is to ensure that the final print has the sharpest detail and lacks any of the fragmentation that can occur with images less than 300 DPI.
- The last step to creating or confirming a true giclée print is the type of ink and printer used. The biggest contrast between a standard inkjet print and a giclée print is that giclées are printed using pigment-based inks rather than the dye-based inks found in lower cost inkjets. Pigment-based inks have a longer life span that can last anywhere from 100 to 200 years without significant fading.
The Quality :
The quality of the giclée print rivals traditional silver halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.
With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
- We use real wood (non-MDF) for our canvas stretcher bars
- The canvas depth of of each dimension will be 1.5" thick
All of our canvas prints are gallery wrapped. Your image will be visible in full on the front side of the canvas while the outer edges are either artistically extended or mirrored to wrap over the wood stretcher bars on all sides. Our canvases are hand-stretched over solid wood stretcher bars.
Our canvas art works arrive ready to hang right out the box! We will affix a sturdy sawtooth hanger to the back of your canvas and include in your package: two screws, two nails, a pair of gloves, and a gradienter (small water level to ensure art is hung straight).
Framed:
Our framed arts are specially designed for both classic art and personalized artwork. Choose from a variety of frames for the perfect one to suit the style of your home.
- Mounted on back flannel so as not to scuff your walls
- Artwork arrives READY TO HANG. Hanging accessories come complimentary
Our frames are specifically chosen to complement each artwork. However, we will gladly accommodate if you'd prefer a different frame. Contact us at customerservice@decorarts.com for inquiries.
