Horizontal broadly brushed study of a cavernous setting with several cascades falling into a lake as two people, indicated in the right foreground, stand on a bridge spanning a river and stare at a cross, hovering at upper left, against a blue gray sky; a herd of animals, in the left distance.
- Title: Vision of the Cross
- Creator: Frederic Edwin Church
- Creator Lifespan: 1826/1900
- Date Created: after 1847
- Physical Dimensions: w255 x h179.5 cm
- Type: Drawing
- Rights: Gift of Louis P. Church
- Medium: Brush and oil paint on paperboard.
- Provenance: Gift of Louis P. Church.
- Markings: Verso: Stamped in ink ?, at ?: Cooper Union Stamps: brown rectancle with cut corners: Cooper-Union/Museum/New York and blue/grey wreath in center: Museum/for the/ Arts of/ Decoration/Cooper-Union.
- Inscribed: Verso: Inscribed in graphite, at lower edge: "Presented 1917 / by Mr. L.P. Church 245 G"
- Exhibitions: Roslyn, NY - Nassau County Museum of Fine Art, "William Cullen Bryant and the Hudson River School of Landscape Painting," May 16, 1981- July 19, 1981.Washington, DC - Circulated by S.I.T.E.S, "Close Observation, Sellected Oil Sketches by Frederic Edwin Church," 1978-1980, no.1.Cambridge, MA - Wellesley College Museum, "?," September 9, 1976 - October 31, 1976.Claremont, CA - Galleries of Claremont Colleges, "?," November 6, 1975 - December 19, 1975; Traveled to: San Diego, CA - Fine Arts Galleries, January 10, 1976 - February 29, 1976; Minneapolis, MI, March 29, 1976 - May 9, 1976.New York, NY - Graham Gallery, "Frederic Edwin Church", December 17, 1974 - January 11, 1975.Washington, D.C. - NMAA/SI (formerly National Collection of Fine Arts), "Frederic Edwin Church" February 9, 1966 - March 13, 1966; Travelled to: Albany, NY - Institute of History and Art, March 30, 1966 - April 30, 1966; New York, NY - Knoedler Galleries, June 1, 1966 - June 30, 1966, cat. 150.
- Dimensions: Sheet: 18 x 25.5 cm (7 1/16 x 10 1/16 in.)Mat: 35.6 x 45.7 cm (14 x 18 in.)Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.)
- Bibliography: Sweeney, J. Gray. "Endued with Rare Genius, Frederic Edwin Church's 'To The Memory of Cole," Smithsonian Studies in American Art, National Museum of American Art, Winter 1988, 61plate 21 (illus.)
DecorArts is a professional wall art company located in California.
Each of our prints is proudly designed and constructed in the USA, right in our workshop. We are dedicated to delivering the finest quality, craftsmanship, and customer service with each and every order. With giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
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We also offer a wide selection of iconic classic paintings -- from Leonardo Da Vinci’s Last Supper to Vincent Van Gogh’s Starry Night to Hokusai’s The Great Wave of Kanagawa -- all stunningly reproduced with giclée printing technology. Browse our gallery of curated masterpieces, where you’re sure to find your favorites or discover just the right one for your home, office, gift recipient, etc. Have an inquiry? Need some suggestions? Shoot us a message and we’ll get back to you as soon as we can.
Giclée Quality Guarantee:
Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
- For giclée printing, the paper or substrate used to actually print the final piece must be acid free and consist of a 100% cotton base.
- Any image that is to be printed as a giclée needs to be created at a resolution of no less than 300 dots per inch (DPI). This is to ensure that the final print has the sharpest detail and lacks any of the fragmentation that can occur with images less than 300 DPI.
- The last step to creating or confirming a true giclée print is the type of ink and printer used. The biggest contrast between a standard inkjet print and a giclée print is that giclées are printed using pigment-based inks rather than the dye-based inks found in lower cost inkjets. Pigment-based inks have a longer life span that can last anywhere from 100 to 200 years without significant fading.
The Quality :
The quality of the giclée print rivals traditional silver halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.
With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
- We use real wood (non-MDF) for our canvas stretcher bars
- The canvas depth of of each dimension will be 1.5" thick
All of our canvas prints are gallery wrapped. Your image will be visible in full on the front side of the canvas while the outer edges are either artistically extended or mirrored to wrap over the wood stretcher bars on all sides. Our canvases are hand-stretched over solid wood stretcher bars.
Our canvas art works arrive ready to hang right out the box! We will affix a sturdy sawtooth hanger to the back of your canvas and include in your package: two screws, two nails, a pair of gloves, and a gradienter (small water level to ensure art is hung straight).
Framed:
Our framed arts are specially designed for both classic art and personalized artwork. Choose from a variety of frames for the perfect one to suit the style of your home.
- Mounted on back flannel so as not to scuff your walls
- Artwork arrives READY TO HANG. Hanging accessories come complimentary
Our frames are specifically chosen to complement each artwork. However, we will gladly accommodate if you'd prefer a different frame. Contact us at customerservice@decorarts.com for inquiries.