Monet created this work during his stay from the summer to the fall of 1864 in Honfleur in Normandy with Boudin, Jongkind and Bazille. This work is one of the few extant examples of his early work and was created along the farm road that connects Honfleur with Trouville. Farm buildings appear in the distance on the left of the composition. With its subdued tone and dark brown, green and blue coloration, the composition of the 17th-century Dutch landscapes and the works of the Barbizon school artists. The black silhouettes of the trees and the sparkle of light in the viscous brush work on the road indicate a material sensibility like that of Courbet and Diaz. This work was painted in the work of Monet's painter friend Frédéric Bazille, Studio in Furstenberg Street (1866, Musée d'Orsay, Paris), and Monet may have finished the work in Bazille's studio. Monet painted this same motif many times, and two other versions, one that completely reproduces this composition and another work of the same subject in a horizontal composition, are known. (Source: Masterpieces of the National Museum of Western Art, Tokyo, 2009, cat. no.70)
- Title: Walk (Road of the Farm Saint-Siméon)
- Creator Lifespan: 1840 - 1926
- Creator Nationality: French
- Creator Gender: Male
- Creator Death Place: Giverny
- Creator Birth Place: Paris
- Date Created: 1864
- Location Created: France
- Signatures, Inscriptions, and Markings: Signed lower left: Monet
- Provenance: Kojiro Matsukata, c. 1924; Sequestered by the French Government, 1944; Returned to Japan, 1959.
- Physical Dimensions: w464 x h816 mm
- Painter: Claude Monet
- Object title (Japanese): 並木道(サン=シメオン農場の道)
- Object notes (Japanese): 1864年の夏から秋にかけてモネは、ブーダン、ヨンキント、バジールらと共にノルマンディー地方のオンフルールで制作した。現存する数少ない初期作品の一つであるこの《並木道》は、その際に、オンフルールとトルーヴィルとを結ぶ街道筋にあるサン=シメオン農場の付近を描いたものである。画面左手奥には、農場の建物が見える。暗く沈んだ茶色、緑、青などで賦彩され、落ち着いた雰囲気をもつ画面には、17世紀オランダ風景画や、バルビゾン派の画家たちから受けた影響が看取される。更に、木立の黒々としたシルエット、道の上に戯れる光の筆触の粘っこさなどには、クールベやディアズと同質のマティエールを見出すことができよう。この作品は、モネの画友であったフレデリック・バジール(1841-1870)の作品、《フュルスタンべール街のアトリエ》(1866年、オルセ美術館)の中に描き込まれており、最終的にはバジールのアトリエで完成されたことが想像される。また、モネは何度かこの同じモティーフを描いたと思われ、全く同構図のレプリカが1点と横長構図の異作1点の存在が知られている。(出典: 国立西洋美術館名作選. 東京, 国立西洋美術館, 2006. cat. no. 70)
- Artist Name (Japanese): モネ、クロード
- Type: Paintings
- Rights: Matsukata Collection, http://www.nmwa.go.jp/en/information/privacy.html
- Medium: Oil on canvas
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Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
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With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
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