- Title: Self-Portrait
- Creator: Paul Gauguin
- Date Created: 1889
- Physical Dimensions: overall: 79.2 x 51.3 cm (31 3/16 x 20 3/16 in.)
- Provenance: Consigned by the artist to Mme Marie Henry [1859-1945], Le Pouldu, in lieu of rent; sold 1919 through François Norgelet to (Galerie Barbazanges, Paris); (Hodebert, Paris).[1] Possibly Mrs. R.A. Workman, London.[2] Lord Ivor Charles Spencer Churchill [1898-1956], London; sold 1923 to (Alex Reid and Lefèvre, Ltd., Glasgow and London); sold 1925 to (Kraushaar Galleries, New York);[3] sold 6 September 1928 to Chester Dale [1883-1962], New York;[4] gift 1963 to NGA. [1] Receipt signed by Marie Henry for 35,000 francs for 14 paintings sold to Norgelet, dated 3 June 1919, archives of the Barbazanges-Hodebert Gallery, copies, Documentation, Musée d'Orsay. See Dominique Lobstein, "Die Ausstellung Paul Gauguin in der Galerie Barbazanges im Jahre 1919," in _Paul Gauguin: Vom der Bretagne nach Tahiti. Ein Aufbruch zur Moderne_, Exh. cat., Landesmuseum Joanneum, Graz, 2000. The painting is reproduced in Louise Gebhard Cann, "Gauguin's Image of Himself," _International Studio_ 82 (May 1925): 120, with Hodebert in the caption, although the picture would have left Hodebert by 1923, when it was sold to Reid & Lefèvre. Hodebert was the successor to the Galerie Barbazanges, which was located on the property of fashion designer Paul Poiret. Poiret went bankrupt in the early 1920s and it is probably at that time that the gallery changed ownership/name. [2] Mrs. Workman's name appears in the Chester Dale papers, NGA curatorial files, sent February 1942, and the portrait is recorded as having belonged to her in the Wildenstein exhibition catalogue, _Great Portraits from Impressionism to Modernism_, March 1938, although her ownership is not otherwise documented. See letter dated 13 October 1965 from G. Corcoran of Alex Reid & Lefèvre, NGA curatorial files. [3] See letter dated 13 October 1965 from G. Corcoran of Alex Reid & Lefevre, NGA curatorial files. [4] Date of purchase from Kraushaar in Chester Dale papers in NGA curatorial files. See also Dale's letter to Kraushaar dated 6 September 1928 (Kraushaar Gallery Records, Archives of American Art, Box 12, folder 42).
- Rights: CC0
- Medium: oil on wood
DecorArts is a professional wall art company located in California.
Each of our prints is proudly designed and constructed in the USA, right in our workshop. We are dedicated to delivering the finest quality, craftsmanship, and customer service with each and every order. With giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
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Giclée Quality Guarantee:
Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
- For giclée printing, the paper or substrate used to actually print the final piece must be acid free and consist of a 100% cotton base.
- Any image that is to be printed as a giclée needs to be created at a resolution of no less than 300 dots per inch (DPI). This is to ensure that the final print has the sharpest detail and lacks any of the fragmentation that can occur with images less than 300 DPI.
- The last step to creating or confirming a true giclée print is the type of ink and printer used. The biggest contrast between a standard inkjet print and a giclée print is that giclées are printed using pigment-based inks rather than the dye-based inks found in lower cost inkjets. Pigment-based inks have a longer life span that can last anywhere from 100 to 200 years without significant fading.
The Quality :
The quality of the giclée print rivals traditional silver halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.
With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
- We use real wood (non-MDF) for our canvas stretcher bars
- The canvas depth of of each dimension will be 1.5" thick
All of our canvas prints are gallery wrapped. Your image will be visible in full on the front side of the canvas while the outer edges are either artistically extended or mirrored to wrap over the wood stretcher bars on all sides. Our canvases are hand-stretched over solid wood stretcher bars.
Our canvas art works arrive ready to hang right out the box! We will affix a sturdy sawtooth hanger to the back of your canvas and include in your package: two screws, two nails, a pair of gloves, and a gradienter (small water level to ensure art is hung straight).
Framed:
Our framed arts are specially designed for both classic art and personalized artwork. Choose from a variety of frames for the perfect one to suit the style of your home.
- Mounted on back flannel so as not to scuff your walls
- Artwork arrives READY TO HANG. Hanging accessories come complimentary
Our frames are specifically chosen to complement each artwork. However, we will gladly accommodate if you'd prefer a different frame. Contact us at customerservice@decorarts.com for inquiries.
