The Norwegian painter J.C. Dahl spent time in Italy in 1820-21, and while in Naples he witnessed the Vesuvius erupting, creating a range of drawings and painted studies of the event from the closest possible range. One of these studies served as the basis for this painting. He repeated the motif six times, a sure indication of its appeal for contemporary audiences.
- Title: Eruption of the Volcano Vesuvius
- Creator: J.C. Dahl
- Creator Lifespan: 1788 Bergen - 1857 Dresden
- Creator Nationality: Norwegian
- Creator Gender: Male
- Creator Death Place: Dresden
- Creator Birth Place: Bergen
- Date Created: 1821
- Værktekst: Den norske maler J.C. Dahl var i Italien i 1820-21, og under sit ophold i Napoli blev han vidne til et af Vesuvs udbrud, som han på tættest mulige hold udførte en stribe tegninger og malede skitser af. Én af disse dannede forlæg for dette maleri, som i øvrigt blev gentaget seks gange, hvad der tyder på motivets appel til samtidens publikum. Vulkanudbruddet som fænomen Kunstneren beskrev naturbegivenheden som det ”interessante og rædsomt skiønne Syn”, og med sit ordvalg gjorde han det klart, at vulkanudbruddet i sin majestæt og gru skulle forstås som et eksempel på den slags ærefrygtindgydende fænomener, som siden den tidlige romantik havde hensat såvel filosoffer som kunstnere og deres publikum i en bittersød blanding af skræk og pirrende ærbødighed. Forholdet mellem natur og mennesker Billedet falder i to dele. Til venstre koncentrerer Dahl sig om forholdet mellem mennesket og det overvældende naturskue: To små figurer anskueliggør størrelsesforholdene og betragter opslugt naturens vældige kraft. Men lader man blikket vandre mod højre, får man mistanke om, at der er tale om forlystelseshungrende naturturister, som er redet op ad vulkanen på de ventende æsler. Napoli som turistattraktion Det dybe landskabsrum indeholder da også elementerne fra et datidigt turist-prospekt fra Napoli: bugten, byen og dens vartegn, vulkanen, som her optager forgrunden, hvor den ellers ofte sås knejsende i baggrunden.
- Teknik: Olie på lærred
- Proveniens: Testamentarisk gave fra arkæologen P.O. Brøndsted 1870
- Provenance: Acquired 1870
- Physical Dimensions: w137.5 x h98.3 cm (Without frame)
- Featured Place: Vesuvio
- Dansk link: http://www.smk.dk/index.php?id=2688
- Dansk Titel: Vesuvs udbrud 1820
- Type: Painting
- Rights: Statens Museum for Kunst, http://www.smk.dk/en/copyright/creative-commons/
- Medium: Oil on canvas
DecorArts is a professional wall art company located in California.
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Giclée Quality Guarantee:
Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
- For giclée printing, the paper or substrate used to actually print the final piece must be acid free and consist of a 100% cotton base.
- Any image that is to be printed as a giclée needs to be created at a resolution of no less than 300 dots per inch (DPI). This is to ensure that the final print has the sharpest detail and lacks any of the fragmentation that can occur with images less than 300 DPI.
- The last step to creating or confirming a true giclée print is the type of ink and printer used. The biggest contrast between a standard inkjet print and a giclée print is that giclées are printed using pigment-based inks rather than the dye-based inks found in lower cost inkjets. Pigment-based inks have a longer life span that can last anywhere from 100 to 200 years without significant fading.
The Quality :
The quality of the giclée print rivals traditional silver halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.
With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
- We use real wood (non-MDF) for our canvas stretcher bars
- The canvas depth of of each dimension will be 1.5" thick
All of our canvas prints are gallery wrapped. Your image will be visible in full on the front side of the canvas while the outer edges are either artistically extended or mirrored to wrap over the wood stretcher bars on all sides. Our canvases are hand-stretched over solid wood stretcher bars.
Our canvas art works arrive ready to hang right out the box! We will affix a sturdy sawtooth hanger to the back of your canvas and include in your package: two screws, two nails, a pair of gloves, and a gradienter (small water level to ensure art is hung straight).
Framed:
Our framed arts are specially designed for both classic art and personalized artwork. Choose from a variety of frames for the perfect one to suit the style of your home.
- Mounted on back flannel so as not to scuff your walls
- Artwork arrives READY TO HANG. Hanging accessories come complimentary
Our frames are specifically chosen to complement each artwork. However, we will gladly accommodate if you'd prefer a different frame. Contact us at customerservice@decorarts.com for inquiries.
