- Title: Christ Cleansing the Temple
- Creator: El Greco (Domenikos Theotokopoulos)
- Date Created: probably before 1570
- Physical Dimensions: overall: 65.4 x 83.2 cm (25 3/4 x 32 3/4 in.) framed: 87.6 x 106.7 x 7.6 cm (34 1/2 x 42 x 3 in.)
- Provenance: Possibly in the collection of the Marqués de Salamanca [d. 1866], Madrid.[1] Sir John Charles Robinson [1824-1913], London;[2] (his sale, Hôtel Drouot, Paris, 7-8 May 1868, 1st day, no. 25); Sir Francis Cook, 1st Bt. [1817-1901], Doughty House, Richmond, Surrey;[3] by inheritance to his son, Sir Frederick Lucas Cook, 2nd Bt. [1844-1920], Doughty House;[4] by inheritance to his son, Sir Herbert Frederick Cook, 3rd Bt. [1868-1939], Doughty House;[5] by inheritance to his son, Sir Francis Ferdinand Maurice Cook, 4th Bt. [1907-1978], Doughty House, and Cothay Manor, Somerset; sold May or June 1955 to (Margaret Drey, London);[5] (Rosenberg and Stiebel, New York); sold 17 October 1955 to the Samuel H. Kress Foundation, New York;[6] gift 1957 to NGA. [1] Neil Maclaren, _National Gallery Catalogues: The Spanish School_, rev. ed. by Allan Braham (London, 1960), 27, fn. 27 (under no. 1457). In an 1895 letter in the archives of the National Gallery, London, Sir J. C. Robinson indicated that he had bought the version of the _Expulsion_ now in London from the Marqués de Salamanca in Madrid "some 15 or 20 years ago". Because other evidence indicates that the London painting could not have been obtained in Madrid, Maclaren suggests that Robinson may have purchased the Washington version (which the baronet also once owned) from the Marqués de Salamanca. [2] John Charles Robinson, _Memoranda on Fifty Pictures_, London, 1868: 38-41, no. 28. [3] More than a dozen paintings from the Robinson sale went to Cook. To judge from annotated auction catalogues, some were bought outright, while others such as NGA 1957.14.4 were bought in and subsequently offered to Cook. [4] _Abridged Catalogue of the Pictures at Doughty House, Richmond, Belonging to Sir Frederick Cook, Bart., M.P., Visconde de Monserrate_, London, 1903: 22, no. 5; Maurice Brockwell, _Catalogue of the Paintings at Doughty House, Richmond, and Elsewhere in the Collection of Sir Frederick Cook, Bt., Visconde de Monserrate_, London, 1915: 3:no. 495. [5] See copies of correspondence in NGA curatorial files, from the Cook Collection Archive in care of John Somerville, England. [6] A copy of the 17 October 1955 bill from Rosenberg & Stiebel to the Kress Foundation is in NGA curatorial files. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/514.
- Rights: CC0
- Medium: oil on panel
DecorArts is a professional wall art company located in California.
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Giclée Quality Guarantee:
Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
- For giclée printing, the paper or substrate used to actually print the final piece must be acid free and consist of a 100% cotton base.
- Any image that is to be printed as a giclée needs to be created at a resolution of no less than 300 dots per inch (DPI). This is to ensure that the final print has the sharpest detail and lacks any of the fragmentation that can occur with images less than 300 DPI.
- The last step to creating or confirming a true giclée print is the type of ink and printer used. The biggest contrast between a standard inkjet print and a giclée print is that giclées are printed using pigment-based inks rather than the dye-based inks found in lower cost inkjets. Pigment-based inks have a longer life span that can last anywhere from 100 to 200 years without significant fading.
The Quality :
The quality of the giclée print rivals traditional silver halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.
With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
- We use real wood (non-MDF) for our canvas stretcher bars
- The canvas depth of of each dimension will be 1.5" thick
All of our canvas prints are gallery wrapped. Your image will be visible in full on the front side of the canvas while the outer edges are either artistically extended or mirrored to wrap over the wood stretcher bars on all sides. Our canvases are hand-stretched over solid wood stretcher bars.
Our canvas art works arrive ready to hang right out the box! We will affix a sturdy sawtooth hanger to the back of your canvas and include in your package: two screws, two nails, a pair of gloves, and a gradienter (small water level to ensure art is hung straight).
Framed:
Our framed arts are specially designed for both classic art and personalized artwork. Choose from a variety of frames for the perfect one to suit the style of your home.
- Mounted on back flannel so as not to scuff your walls
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Our frames are specifically chosen to complement each artwork. However, we will gladly accommodate if you'd prefer a different frame. Contact us at customerservice@decorarts.com for inquiries.
