In his New York studio, Church painted this spectacular view of a blazing sunset over wilderness near Mount Katahdin in Maine, which he had sketched during a visit nearly two years earlier. Although Church often extolled the grandeur of American landscape in his work, this painting appears to have additional overtones. Created on the eve of the Civil War, the painting's subject can be interpreted as symbolically evoking the coming conflagration. Church's considerable technical skills and clever showmanship contributed to his fame as the premier artist of his generation. Rather than debut this painting in an annual exhibition with works by other artists as was the custom, Church instead exhibited it by itself at a prestigious art gallery. Coaxed by advance publicity and highly favorable press reviews, several hundred spectators flocked to admire it during its seven-week run.
- Title: Twilight in the Wilderness
- Creator: Frederic Edwin Church (American, 1826–1900)
- Date Created: 1860
- Physical Dimensions: Framed: 124 x 185 x 13 cm (48 13/16 x 72 13/16 x 5 1/8 in.); Unframed: 101.6 x 162.6 cm (40 x 64 in.)
- Provenance: William T. Walters [1820-1894], Baltimore, MD, consigned to Samuel Putnam Avery for sale at Henry H. Leeds and Co., (Henry H. Leeds and Co., New York, NY, Feb. 12-13, 1864), (Samuel Putnam Avery [1822-1904], New York, NY), (Leeds and Minor at Old Dusseldorf Gallery, New York, NY, March 9, 1866, no. 174, sold to John Taylor Johnston), John Taylor Johnston [1820-1893], New York, NY, (Chickering Hall, John Taylor Johnston sale, Dec. 19-22, 1876, sold to John Work Garrett?), John Work Garrett [1820-1884], Baltimore, MD, by descent to his daughter, Mary E. Garrett?, Mary E. Garrett [1854-1909], Baltimore, MD, sold to Robert de Forest, Robert de Forest [1848-1931], Parkers Point, CT, by descent to his brother, Lockwood de Forest, Lockwood de Forest [1850-1932], Santa Barbara, CA, by descent to his son, Alfred Victor de Forest, Alfred Victor de Forest [1888-1945], Marlborough, NH, by descent to his son, Taber de Forest, Taber de Forest, Maine, sold to David McCoy, David McCoy, Lyme, CT, sold to Robert Weimann, Robert Weimann, Ansonia, CT, sold to the Cleveland Museum of Art, The Cleveland Museum of Art, Cleveland, OH
- Type: Painting
- Rights: CC0
- Medium: oil on canvas
- Inscriptions: Signed and dated lower right: "F. E. CHURCH / -60-"
- Fun Fact: An image of this painting has a cameo in the Harrison Ford film <em>Clear and Present Danger</em>.
- Department: American Painting and Sculpture
- Culture: America, 19th century
- Credit Line: Mr. and Mrs. William H. Marlatt Fund
- Collection: American - Painting
- Accession Number: 1965.233
DecorArts is a professional wall art company located in California.
Each of our prints is proudly designed and constructed in the USA, right in our workshop. We are dedicated to delivering the finest quality, craftsmanship, and customer service with each and every order. With giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
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Giclée Quality Guarantee:
Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
- For giclée printing, the paper or substrate used to actually print the final piece must be acid free and consist of a 100% cotton base.
- Any image that is to be printed as a giclée needs to be created at a resolution of no less than 300 dots per inch (DPI). This is to ensure that the final print has the sharpest detail and lacks any of the fragmentation that can occur with images less than 300 DPI.
- The last step to creating or confirming a true giclée print is the type of ink and printer used. The biggest contrast between a standard inkjet print and a giclée print is that giclées are printed using pigment-based inks rather than the dye-based inks found in lower cost inkjets. Pigment-based inks have a longer life span that can last anywhere from 100 to 200 years without significant fading.
The Quality :
The quality of the giclée print rivals traditional silver halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.
With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
- We use real wood (non-MDF) for our canvas stretcher bars
- The canvas depth of of each dimension will be 1.5" thick
All of our canvas prints are gallery wrapped. Your image will be visible in full on the front side of the canvas while the outer edges are either artistically extended or mirrored to wrap over the wood stretcher bars on all sides. Our canvases are hand-stretched over solid wood stretcher bars.
Our canvas art works arrive ready to hang right out the box! We will affix a sturdy sawtooth hanger to the back of your canvas and include in your package: two screws, two nails, a pair of gloves, and a gradienter (small water level to ensure art is hung straight).
Framed:
Our framed arts are specially designed for both classic art and personalized artwork. Choose from a variety of frames for the perfect one to suit the style of your home.
- Mounted on back flannel so as not to scuff your walls
- Artwork arrives READY TO HANG. Hanging accessories come complimentary
Our frames are specifically chosen to complement each artwork. However, we will gladly accommodate if you'd prefer a different frame. Contact us at customerservice@decorarts.com for inquiries.
