Il dipinto ¨¨ pendant del Parlatorio con cui condivide la storia esterna, la datazione e la vicenda critica.
Il Ridotto, di cui il pittore ha immortalato qui la sala principale, fu la prima casa da gioco gestita direttamente dallo Stato veneziano. Venne aperta nel 1638 in palazzo Dandolo a San Mois¨¦, nei pressi di Piazza San Marco, con lo scopo di concentrare in un unico luogo la pratica del gioco d¡¯azzardo, che fino ad allora, malgrado i divieti emessi dalla Repubblica, era comunque molto diffusa, e anche ¨C particolare questo di non secondario interesse ¨C di convogliare nelle casse dello Stato una parte cospicua della gran quantit¨¤ di denaro che il gioco muoveva quotidianamente. Il Ridotto restava aperto (ma furono concesse molte deroghe) nei mesi dell¡¯interminabile carnevale veneziano, che andava dal 26 dicembre al giorno delle Ceneri, e quanti vi si recavano ¨C veneziani o foresti che fossero ¨C erano tenuti a portare la maschera. Gli unici esenti da quest¡¯obbligo erano i nobili che tenevano i banchi da gioco, scelti tra quelli appartenenti alle famiglie meno abbienti, i cosiddetti Barnabotti. Rapidamente, grazie anche alla possibilit¨¤ di mantenere l¡¯anonimato, il Ridotto divenne un importante polo di attrazione per i nobili locali e per quanti giungevano dall¡¯estero per frequentare il carnevale veneziano e certo enorme fu la quantit¨¤ di denaro transitata sui suoi tavoli. Tali peculiarit¨¤ attrassero inevitabilmente mezzani e prostitute, visibili anche nel dipinto di Francesco Guardi a destra appare un Barnabotto con al fianco una donna che tiene in mano un fuso e una conocchia (nella pittura olandese del Seicento gli elementi distintivi delle streghe e delle prostitute), colto mentre si fa consegnare da un altro uomo una chiave, tratta da un grosso mazzo. Un particolare di facile interpretazione, che conferma lo svolgimento di tali attivit¨¤ all¡¯interno del Ridotto. Oppure la scenetta sull¡¯estrema sinistra, dove un altro Barnabotto pare intento a prestare del denaro a un nobiluomo mascherato.
- Title Il Ridotto di palazzo Dandolo a San Mois¨¦
- Creator Francesco Guardi
- Date Created 1746
- Physical Location Venezia, Ca¡¯ Rezzonico, Museo del Settecento Veneziano Inv. Cl. I, n. 124
- Physical Dimensions 108 x 208 cm
- Medium Olio su tela
DecorArts is a professional wall art company located in California.
Each of our prints is proudly designed and constructed in the USA, right in our workshop. We are dedicated to delivering the finest quality, craftsmanship, and customer service with each and every order. With giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
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We also offer a wide selection of iconic classic paintings -- from Leonardo Da Vinci’s Last Supper to Vincent Van Gogh’s Starry Night to Hokusai’s The Great Wave of Kanagawa -- all stunningly reproduced with giclée printing technology. Browse our gallery of curated masterpieces, where you’re sure to find your favorites or discover just the right one for your home, office, gift recipient, etc. Have an inquiry? Need some suggestions? Shoot us a message and we’ll get back to you as soon as we can.
Giclée Quality Guarantee:
Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
- For giclée printing, the paper or substrate used to actually print the final piece must be acid free and consist of a 100% cotton base.
- Any image that is to be printed as a giclée needs to be created at a resolution of no less than 300 dots per inch (DPI). This is to ensure that the final print has the sharpest detail and lacks any of the fragmentation that can occur with images less than 300 DPI.
- The last step to creating or confirming a true giclée print is the type of ink and printer used. The biggest contrast between a standard inkjet print and a giclée print is that giclées are printed using pigment-based inks rather than the dye-based inks found in lower cost inkjets. Pigment-based inks have a longer life span that can last anywhere from 100 to 200 years without significant fading.
The Quality :
The quality of the giclée print rivals traditional silver halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.
With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
- We use real wood (non-MDF) for our canvas stretcher bars
- The canvas depth of of each dimension will be 1.5" thick
All of our canvas prints are gallery wrapped. Your image will be visible in full on the front side of the canvas while the outer edges are either artistically extended or mirrored to wrap over the wood stretcher bars on all sides. Our canvases are hand-stretched over solid wood stretcher bars.
Our canvas art works arrive ready to hang right out the box! We will affix a sturdy sawtooth hanger to the back of your canvas and include in your package: two screws, two nails, a pair of gloves, and a gradienter (small water level to ensure art is hung straight).
Framed:
Our framed arts are specially designed for both classic art and personalized artwork. Choose from a variety of frames for the perfect one to suit the style of your home.
- Mounted on back flannel so as not to scuff your walls
- Artwork arrives READY TO HANG. Hanging accessories come complimentary
Our frames are specifically chosen to complement each artwork. However, we will gladly accommodate if you'd prefer a different frame. Contact us at customerservice@decorarts.com for inquiries.
