En el camino que llega a Venecia del Mar Adriático, los viajeros se encontraban con una punta que dividía el Gran Canal y el Canal de la Giudecca, sobre él se observaba el edificio de planta triangular de la aduana, obra del arquitecto Giuseppe Benoni (1618–1684).
En este lienzo de la Punta de la Aduana, Guardi ha dado importancia a esta construcción sin acompañarla, como en otros cuadros, de la iglesia de Santa María de la Salud. El establecimiento se distingue por el Balón de Oro que sostienen dos atlantes y está rematada, a cielo abierto, con la estatua que gira en dirección del viento llamada Occasio, realizada por Bernardo Falconi, y que representa simbólicamente el cambio de dirección de la Fortuna.
La voluntad por representar fielmente la perspectiva, los escenarios recurrentes de edificaciones y costumbrismo en los canales de Venecia, así como los cielos cambiantes llevaron al autor a apoyarse, en muchos casos, en la cámara oscura. El refinamiento logrado al plasmar vistas con gran fidelidad hizo de Francesco un autor importante en el paisaje naturalista de fines del aún ilustrado siglo XVIII, uno de los preferidos por los viajantes a fin de llevarse un recuerdo veraz.
En el primer plano, el cuadro de Guardi vuelve a tomar como motivo central el Canal y las escenas cotidianas. A la atmósfera transparente y húmeda, se suma un cielo en el que las variaciones de luz privilegian en particular el área blanca donde remata la Aduana. El efecto deviene en un suave dramatismo que maduró los efectos expresivos que había aprendido del caravaggismo y de Alessandro Magnasco (1667-1749), luego de colaborar con éste en la iglesia de San Pedro Mártir, en Murano, conocida como la Isla de Cristal por sus finos trabajos con el vidrio.
Las góndolas refuerzan la mirada del espectador hacia ella. A la derecha, el cielo parece anunciar la lluvia. El artista ha logrado un despliegue de gamas blancas y de verdes turquesa para plasmar contrastes lumínicos. La atmósfera que guían las nubes en el cielo y reflejadas en el canal generan así un ambiente emotivo que pintó hacia sus últimas décadas.
- Title: Punta de la Aduana en Venecia
- Creator: Francesco Guardi, atribuido
- Date Created: 1770/1793
- Physical Dimensions: 35.2 x 29.2 cm
- Rights: Museo Soumaya, Fundación Carlos Slim
- Art Genre: Paisaje
- Art Form: Pintura
- Support: Óleo sobre lienzo
- Depicted Topic: Paisaje
DecorArts is a professional wall art company located in California.
Each of our prints is proudly designed and constructed in the USA, right in our workshop. We are dedicated to delivering the finest quality, craftsmanship, and customer service with each and every order. With giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
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Giclée Quality Guarantee:
Giclée printing is meant to produce a product at a higher quality and longer lifespan than a standard desktop inkjet printer. The word was used to describe digital reproductions of conventional artworks (painting or drawing) or photographs.
There are at least three basic criteria which must be met in order for the print to be considered a true giclée...
- For giclée printing, the paper or substrate used to actually print the final piece must be acid free and consist of a 100% cotton base.
- Any image that is to be printed as a giclée needs to be created at a resolution of no less than 300 dots per inch (DPI). This is to ensure that the final print has the sharpest detail and lacks any of the fragmentation that can occur with images less than 300 DPI.
- The last step to creating or confirming a true giclée print is the type of ink and printer used. The biggest contrast between a standard inkjet print and a giclée print is that giclées are printed using pigment-based inks rather than the dye-based inks found in lower cost inkjets. Pigment-based inks have a longer life span that can last anywhere from 100 to 200 years without significant fading.
The Quality :
The quality of the giclée print rivals traditional silver halide and gelatin printing processes and is commonly found in museums, art galleries, and photographic galleries.
With Giclée printing technology, we are able to provide the best possible quality for the reproduction of fine art masterpieces as well as your personal photos. Our prints capture the subtlest of colors and contrasts, while retaining superb image sharpness.
- We use real wood (non-MDF) for our canvas stretcher bars
- The canvas depth of of each dimension will be 1.5" thick
All of our canvas prints are gallery wrapped. Your image will be visible in full on the front side of the canvas while the outer edges are either artistically extended or mirrored to wrap over the wood stretcher bars on all sides. Our canvases are hand-stretched over solid wood stretcher bars.
Our canvas art works arrive ready to hang right out the box! We will affix a sturdy sawtooth hanger to the back of your canvas and include in your package: two screws, two nails, a pair of gloves, and a gradienter (small water level to ensure art is hung straight).
Framed:
Our framed arts are specially designed for both classic art and personalized artwork. Choose from a variety of frames for the perfect one to suit the style of your home.
- Mounted on back flannel so as not to scuff your walls
- Artwork arrives READY TO HANG. Hanging accessories come complimentary
Our frames are specifically chosen to complement each artwork. However, we will gladly accommodate if you'd prefer a different frame. Contact us at customerservice@decorarts.com for inquiries.
